Saturday, 8 September 2012

Painting "The Sacrifice Of Isaac, 1601" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

The Sacrifice of Isaac is the title of two paintings by the Italian master Caravaggio (1571–1610). The second Sacrifice of Isaac is housed in the Uffizi Gallery Florence. According to the early biographer Giovanni Bellori Caravaggio painted a version of this subject for Cardinal Maffeo Barberini the future Pope Urban VIII and a series of payments totalling one hundred scudi were made to the artist by Barberini between May 1603 and January 1604. Caravaggio had previously painted a Portrait of Maffeo Barberini which presumably pleased the cardinal enough for him to commission this second painting. Isaac has been identified as Cecco Boneri who appeared as Caravaggio s model in several other pictures. Recent X-ray analysis showed that Caravaggio used Cecco also for the angel and later modified the profile and the hair to hide the resemblance.

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Painting "Boy Bitten By A Lizard - Florence" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

Boy Bitten by a Lizard ((Italian) Ragazzo morso da un ramarro) is a painting by the Italian Baroque painter Caravaggio. It exists in two versions both believed to be authentic one in the Fondazione Roberto Longhi in Florence the other in the National Gallery London. Both are thought to date from the period 1594-1596 but given that it has all the signs of the early works painted in the household of Caravaggio s sophisticated patron Cardinal Francesco Del Monte and that Caravaggio didn t enter the Cardinal s Palazzo Madama until some time in 1595 the later end of this period seems more likely. The differences between the two versions are infinitesimal. As with all of Caravaggio s early output much remains conjectural. The model for the boy may have been Mario Minniti Caravaggio s companion and the model for several other paintings from the period - the bouffant dark curly hair and pursed lips look similar but in other pictures such as Boy with a Basket of Fruit and The Fortune Teller Mario doesn t look so effeminate. The affected pose may have been the inevitable result of the experiment Caravaggio appears to have been undertaking here: observing and recording acute emotions - surprise and fear - in a situation where real surprise was impossible and where the pose had to be held for a considerable period.

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Painting "Burial Of St Lucy" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

Burial of Saint Lucy is a oil on canvas painting by the Italian artist Caravaggio. The painting (408 cm × 300 cm) is located in the Museo Bellomo of Syracuse Sicily.

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Painting "Madonna Del Rosario" from Caravaggio - Michelangelo Merisi - Buy hand painted oil reproduction

The Madonna of the Rosary is an oil on canvas painting finished in 1607 by the Italian Baroque painter Caravaggio. The painting (364.5 cm × 249.5 cm) is housed in the Kunsthistorisches Museum of Vienna.

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Painting "Adoration Of The Shepherds" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

The Adoration of the Shepherds is a 1609 oil on canvaspainting by the Italian artist Caravaggio. This painting is now in the collection of the Museo Regionale Messina.

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Painting "Portrait Of Alof De Wignacourt - Florence" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

The Portrait of Fra Antonio Martelli (c. 1607/1608) is a painting by the Italian master Michelangelo Merisi da Caravaggio in the Palazzo Pitti Florence. Until recently it was thought that this painting represented Alof de Wignacourt Grand Master of the Order of the Knights of Malta and that it was a preparatory study for the large and famous Portrait of Alof de Wignacourt and his Page but recent documentary discoveries indicate that it is the portrait of another prominent member of the Order Antonio Martelli of Florence Prior of Messina.

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Painting "The Incredulity Of Saint Thomas" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

The Incredulity of Saint Thomas is an oil on canvas painting of the subject of the same name by the Italian Baroque master Caravaggio c. 1601-1602. This painting (107 cm × 146 cm) is housed in the Sanssouci of Potsdam Germany.

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Painting "Salome With The Head Of St John, The Baptist 1609" from Caravaggio - Michelangelo Merisi - Buy hand painted oil reproduction

Salome with the Head of John the Baptist (Madrid) c. 1609 is a painting by the Italian master Caravaggio in the Palacio Real Madrid. The early Caravaggio biographer Giovanni Bellori writing in 1672 records the artist sending a Salome with the Head of John the Baptist from Naples to the Grand Master of the Knights of Malta Fra Alof de Wignacourt in the hope of regaining favour after having been expelled from the Order in 1608. It seems likely that this is the work according to Caravaggio scholar John Gash. Gash also notes that the executioner looking down at the severed head helps transform the painting from a provocative spectacle into a profound meditation on death and human malevolence.

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Painting "The Denial Of St Peter" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

The Denial of Saint Peter (La Negazione di Pietro) is a painting finished around 1610 by the Italian painter Caravaggio. It depicts Peter denying Jesus after Jesus was arrested. The painting is housed in the Metropolitan Museum of Art in New York City.

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Painting "St Jerome 1606" from Caravaggio - Michelangelo Merisi - Buy Hand Painted Oil Reproduction

Saint Jerome Writing also called Saint Jerome in His Study or simply Saint Jerome is an oil painting by Italian painter Caravaggio. Generally dated to 1605-1606 the painting is located in the Galleria Borghese in Rome. The painting depicts Saint Jerome a Doctor of the Church in Roman Catholicism and a popular subject for painting even for Caravaggio who produced other paintings of Jerome in Meditation and engaged in writing. In this image Jerome is reading intently an outstretched arm resting with quill. It has been suggested that Jerome is depicted in the act of translating the Vulgate.

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